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It seems like you’ve provided part of an article discussing the challenges faced by working-class creatives in the UK and highlighting examples from other countries like Ireland and Norway, where artists receive more robust support, such as basic income schemes or government stipends. The text touches on the decline of the record industry, closure of grassroots venues, budget cuts, and the impact of generative AI on creative work, emphasizing the precarious nature of cultural work today, especially for marginalized groups.
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