Cosey Fanni Tutti's journey through art, porn and music

In the serene setting of a ruined priory, Cosey Fanni Tutti, a seminal figure in the band Throbbing Gristle and a provocative performance artist, is reflective. Her controversial art exhibition “Prostitution” in 1976 stirred up immense controversy, earning her the title of a “wrecker of civilisation” from Conservative MP Sir Nicholas Fairbairn. The exhibit, featuring Tutti alongside bandages and tampons, aimed to challenge societal norms and perspectives.

Tutti’s bold approach to art extended to her infiltration of the porn industry, which she used as a means to subvert traditional notions of objectification. She sought to empower women by reframing the discourse around pornography and highlighting its impact on society. This unconventional method paved the way for a new wave of artistic expression, challenging conventions and sparking important conversations.

Despite the passage of time, the message behind Tutti’s exhibition remains relevant. Her work continues to provoke thought and inspire critical dialogue. As her exhibits are displayed at the Maxwell Graham Gallery in New York City, coinciding with the release of her new album 2T2, Tutti remains a trailblazer in the realm of avant-garde art and music.

Away from the spotlight, Tutti now finds solace in gardening and reading, cherishing the tranquility of the Norfolk countryside. Her legacy as a boundary-pushing artist and musician endures, reminding us of the power of art to challenge and provoke. As her new album prepares for release, Tutti’s influence on the music industry and beyond remains profound and enduring

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